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Petrushka (ballet) : ウィキペディア英語版
Petrushka (ballet)

''Petrushka'' ((フランス語:Pétrouchka); (ロシア語:''Петрушка'')) is a ballet burlesque in four scenes. It was composed in 1910–11 and revised in 1947. Igor Stravinsky composed the music, and, with Alexandre Benois, fashioned the libretto. Michel Fokine choreographed the ballet; Benois designed the sets and costumes. ''Petrushka'' was first performed by Sergei Diaghilev's Ballets Russes at the Théâtre du Châtelet in Paris on 13 June 1911. Vaslav Nijinsky portrayed Petrushka with Tamara Karsavina as the Ballerina. Alexandre Orlov portrayed the Moor, and Enrico Cecchetti the Charlatan.
''Petrushka'' tells the story of the loves and jealousies of three puppets. The three are brought to life by the Charlatan during 1830 Shrovetide Fair (''Maslenitsa'') in Saint Petersburg, Russia. Petrushka loves the Ballerina, but she rejects him. She prefers the Moor. Petrushka is angry and hurt, and challenges the Moor. The Moor kills him with his scimitar. Petrushka's ghost rises above the puppet theatre as night falls. He shakes his fist at the Charlatan, then collapses in a second death.
''Petrushka'' brings music, dance, and design together in a unified whole. It is one of the most popular of the Ballets Russes productions. It is usually performed today using the original designs and choreography. Grace Robert wrote in 1946, "Although more than thirty years have elapsed since ''Petrushka'' was first performed, its position as one of the greatest ballets remains unassailed. Its perfect fusion of music, choreography, and décor and its themethe timeless tragedy of the human spiritunite to make its appeal universal".
==Russian puppets==

Petrushka is a puppet. He is a character known across Europe under different names: Punch in England, Polichinelle in France, Pulcinella in Italy, Kasperle in Germany, and Petrushka in Russia. Whatever his name, he is a trickster, a rebel, and a wife beater. He enforces moral justice with a slap stick, speaks in a high-pitched, squeaky voice, and argues with the devil. His plays were formulaic and subversive. They repeated key scenes from one play to another. The plays usually ended with a dog, a policeman, or the devil dragging him away.
Empress Anna Ivanovna brought marionettes to Russia in the 18th century. These puppets were an amusement for the aristocracy. Rod puppets were an Asian import. They performed religious plays, mostly at Christmas. Petrushka, however, was a hand puppet. He was loved by the common people. He performed in street theatres and other open air venues in small portable booths or behind screens that could be easily assembled and just as easily disassembled. After the Russian Revolution, Soviet authorities forced Petrushka indoors. They wanted to be better able to monitor his subversiveness.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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